Summarise the different approaches to Montage between the following film makers
Sergei Eisenstein
Metric
Definition=
Rhythmic
Definition=
Tonal
Definition=
Over tonal
Definition=
Intellectual
Definition=
Dziga Vertov Or Denis Kaufman
Worked as a newsreel cameraman coined the term Kino Eye (film eye) believed the world is seen more clearly
through the eye of the camera than the human eye and cinema should be real and
truthful disagreed with Eisenstein’s theory of
narrative film making and believed conventional fiction storytelling to be
corrupting cut his film images together due to
thematic connections or for emotional effects of juxtaposition attempted to create a unique language of
cinema free from theatrical influence and artificial studio lighting – to show
cinema that captured real life his frenetic montage style was unmatched
until the era of the music video his work and theories influenced the
documentary realism (cinema verite) in the 1960’s.
Vsevolod Pudovkin
Contrast
Parallelism
Symbolism
Simultaneity
Leit Motif
Recurring themes (e.g) Darth Vaders Theme music
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